Monday, December 30, 2019

Marlow’s Metamorphosis in Joseph Conrads Heart of...

Marlow’s Metamorphosis in Heart of Darkness Conrads novel, Heart of Darkness, relies on the historical period of imperialism to illuminate its protagonist, Charlie Marlow, and his struggle with two opposite value systems. Marlow undergoes a catharsis during his trip to the Congo and learns of the effects of imperialism. I will analyze Marlows change, which is caused by his exposure to the imperialistic nature of the historical period in which he lived. Marlow goes to the Congo River to report on Mr. Kurtz, a valuable officer, to their employer. When he sets sail, he does not know what to expect. When his journey is complete, his experiences have changed him forever. Heart of Darkness is a story of one mans journey through†¦show more content†¦He addresses his comrades: When you have to attend to things of that sort, to the mere incidents of the surface, the reality--the reality I tell you---fades. The inner truth is hidden luckily, luckily. But I felt it all the same; I felt often its mysterious stillness watching over me at my monkey tricks, just as it watches you fellows performing on your respective tight ropes for---what is it? half a crown a tumble . . . . (36) While he is in the Congo, although he has to concentrate on the petty everyday things like overseeing the repair of his boat, he is still aware of what is going on around him and of the horrible reality he is in. On the other hand, his friends on the boat simply do not recognize this reality. It is their ignorance and innocence which provokes them to tell Marlow to try to be civil (36). Not only are they oblivious to the reality that Marlow sees, but their naivetà © is so great that they can not even comprehend such a thing (Johnson 356). Quite surprisingly, this mentality does not pertain exclusively to the Englishmen in Europe. At one point during Marlows voyage down the Congo, he wakes to find his boat in an enormous patch of fog. At that very instant, a very loud cry is let out (41). After Marlow looks around and makes sure everything is all right, he observes the contrasts of the whites and the blacks expressions: It was very curious to

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